Palash Biswas On Unique Identity No1.mpg

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Hurt Locker: Iraq in Kodak Theatre!'Months' before Iraq government, says US general!

Hurt Locker: Iraq in Kodak Theatre!'Months' before Iraq government, says US general!

Troubled Galaxy Destroyed Dreams, Chapter 457

Palash Biswas

  1. palashbiswas's blog - Palash Speaks

    SEZ and Oil fields In Iraq. Palash Biswas. (Contact: Palash C Biswas, C/O Mrs Arati Roy, Gosto Kanan, Sodepur, Kolkata -700110, India Phone: 91-33-25659551) ...
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  2. palashbiswas's blog Blogs – View palashbiswas's blog Blogs Blogs ...

     - 6 visits - 1 Mar
    Sorry for using military in Iraq but there was no choice: Bush Troubled Galaxy Destroyed Dreams, Chapter 414. Palash Biswas ...
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  3. Arya-Brahmin Vengeance on Bengali-Tamil Dalits & Chakma Adivasi ...

     - 3 visits - 11 Feb
    7 Apr 2009 ... Palash Biswas, C/O Mrs Arati Roy, Gostokanan, Sodepur, ... Why East Bengal Refugees are Discriminated and Hated, Article by Palash Biswas ...
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  4. Palash chandra Biswas's Blog at BIGADDA >> N-deal will happen ...

    25 Nov 2009 ... Palash biswas द्वारा 3 जनवरी, 2009 11:34 PM पर पोस्टेड # … .... civil society iraq · civil society dialogue ...
    blogs.bigadda.com/.../n-deal-will-happen-obama-to-pm-us-promoted-civil-societies-have-captured-power-as-well-as-resistance-hegemonies-in-i... - Cached
  5. Palash chandra Biswas's Blog at BIGADDA >> Our claim that Mumbai ...

    17 Dec 2009 ... Palash Biswas … The horrific multiple terror strikes in Mumbai, ...... who introduced herself as Haula Younis from Iraq had visited the ...
    blogs.bigadda.com/.../our-claim-that-mumbai-terror-strike-is-a-cia-and-mossad-affair-is-proved-as-headly-turns-out-a-cia-agentus-backs-10... - Cached
  6. खोज परिणाम

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    Palash biswas द्वारा 24 जुलाई, 2009 3:39 PM पर पोस्टेड # .... Shoes Thrown at Bush in Iraq during News Conference! ...
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  7. खोज परिणाम

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    Palash biswas द्वारा 14 अप्रैल, 2009 12:01 AM पर पोस्टेड # ... Shoes Thrown at Bush in Iraq during News Conference! ...
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  8. Bleeding Indian Heart: Fwd: Jan Myrdal - Swedish Radical Left ...

    2 Feb 2010 ... Topic: Will the US Meet Its Waterloo in Afghanistan and Iraq? ... Palash Biswas Pl Read: http://nandigramunited-banga.blogspot.com/ ...
    bleedingindianheart.blogspot.com/.../fwd-jan-myrdal-swedish-radical-left.html - Cached
  9. Fwd: Google Alert - We don't hear about Iraq casualties, because it h

    4 Oct 2008 ... By Palash(Palash Biswas) And they have made very clear that what they want ... Iraq: The Test of a Generation - Council on Foreign Relations ...
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  10. editorial - Ikhwanweb :: The Muslim Brotherhood Official English ...

    11 Aug 2008 ... By Palash Biswas(Palash Biswas) No vacation for Obama With Barack Obama ... Iraq Troika: McCain, Obama and Clinton · Obama and Rev. Wright ...
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  1. Stop the War Coalition

    ... to join with us in building a mass movement that can stop the drive to war. 5. ... Anti-War Song of the Week: I Don't Want To Be a Hero by Johnny Hates Jazz ... tried to ban its use for Stop the War's demonstration against the Iraq war. ... anti-Muslim hatred, can only ratchet up the danger and threaten us all, ...
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    9 Mar 2010 ... Marty Peretz's Cowardice · DC Conference: Conservatives and the War in Afghanistan ... US Military: 2 Soldiers Die in Iraq in Accident ... Lone Stand of Surrounded Pakistan Anti-Taliban Militia ...
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  1. PDF]

    Oil and the Global Economy

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  1. News results for USA in Iraq


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    US set for Iraq pullout following elections‎ - 1 day ago
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  1. Iraq - Wikipedia, the free encyclopedia

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    Iraq ([iːˈrɑːk] or [ɪˈræk], Arabic: العراق Al-Irāq), officially the Republic of Iraq (Arabic: About this sound جمهورية العراق (help·info) Jumhūrīyat Al-Irāq ...
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  6. CIA - The World Factbook -- Iraq

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  11. Iraq A Country Study - Google Books Result

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  1. News results for iraq war


    The Washington Independent
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  3. 2003 invasion of Iraq - Wikipedia, the free encyclopedia

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A salute to brave soldiers in a nerve-racking theatre of war

Sydney Morning Herald - Edd Aragon - ‎1 hour ago‎
The director of The Hurt Locker, Kathryn Bigelow, delivered the best moments of one of the best Academy Awards this week with her double Oscar win. ...

Oscars 2010: the year Hollywood ate itself

The Guardian (blog) - ‎2 hours ago‎
Singing from the same hymn sheet … best director nominees Jason Reitman and James Cameron arrive at the 82nd Academy Awards. ...

Inside Story - The Hurt Locker

Al Jazeera - ‎2 hours ago‎
What are the politics behind the success of The Hurt Locker and how has a low-budget war film triumphed over the single most popular movie of all time?


When she walked on stage to receive the Oscar for best director, she said: "I'd just like to dedicate this to the women and men in the military who risk their lives on a daily basis in Iraq and Afghanistan and around the world. And may they come home safe."
more by Kathryn Bigelow - 1 hour ago - Sydney Morning Herald (433 occurrences)


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I've been a broadcaster for 17 years, but Sunday's Academy Awards pre-show "Live From The Red Carpet" on Oscar.com was the first time I've ever hosted a ...

• WEDNESDAY FILE

Hamilton Spectator - ‎5 hours ago‎
Kathryn Bigelow won Best Director for The Hurt Locker, about the Iraq war. But she forgot to thank the two people without whom this film could never have ...

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Now that the envelopes have been ripped open and the winners have finally popped out of them, it is time for some soul searching. Tom Sherak, president of ...

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This year's Oscars started off strong with a song-and-dance number from an extra sparkly Neil Patrick Harris and some terrific zingers from ...

Bigelow's Oscars Will Change Hollywood, Slowly

ABC News - Bob Tourtellotte - ‎13 hours ago‎
LOS ANGELES (Reuters) - "Hurt Locker" director Kathryn Bigelow wrapped her fingers around that little golden man called Oscar on Sunday ...

Timeline of articles

Timeline of articles
Number of sources covering this story

Bigelow's Oscars Will Change Hollywood, Slowly
‎13 hours ago‎ - ABC News

Red Carpet Arrest at Academy Awards
‎Mar 8, 2010‎ - TheWrap

Oscars hangover: What were your favorite/least favorite moments?
‎Mar 8, 2010‎ - USA Today

Explore Some Of Biggest Oscar Snubs Ever
‎Mar 7, 2010‎ - WRTV Indianapolis

Bigelow Wins Best Director Oscar For "Hurt Locker"
‎Mar 7, 2010‎ - New York Times

Feeling blue about Avatar
‎Mar 7, 2010‎ - The Massachusetts Daily Collegian

Inside the Oscar show on Hollywood's biggest night
‎Mar 7, 2010‎ - The Associated Press

Oscars 2010 watch live, Academy Awards schedule
‎Mar 7, 2010‎ - Prime Writer News Network

Steve Martin, Alec Baldwin do Oscar show shtick
‎Mar 7, 2010‎ - USA Today

Who'll win the Oscars and WHY -- category per category
‎Mar 7, 2010‎ - Los Angeles Times

Images

Sydney Morning ...
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Hindustan Times
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Los Angeles Tim...
The Guardian (b...
MTV.com (blog)
Hindustan Times

Videos

Inside Story - The Hurt Locker
Al Jazeera  -  2 hours ago Watch video



Hollywood's Big Night
CBS  -  Mar 8, 2010 Watch video



Director makes Oscars history
Al Jazeera  -  Mar 8, 2010 Watch video



Iraq war film is Oscar favourite
Al Jazeera  -  Mar 7, 2010 Watch video





  1. The Hurt Locker - Wikipedia, the free encyclopedia

    The Hurt Locker is a 2008 American war film. It follows a United States Army Explosive Ordnance Disposal (EOD) team during the Iraq War. ...
    en.wikipedia.org/wiki/The_Hurt_Locker - Cached - Similar
  2. The Hurt Locker Movie - Official Movie Website

    Official website for THE HURT LOCKER, winner of the 2008 Venice Film Festival SIGNIS Grand Prize. Starring Jeremy Renner, Anthony Mackie, Brian Geraghty, ...
    www.thehurtlocker-movie.com/ - Cached
  3. The Hurt Locker (2008)

    Directed by Kathryn Bigelow. With Jeremy Renner, Anthony Mackie, Brian Geraghty. Iraq. Forced to play a dangerous game of cat-and-mouse in the chaos of war, ...
    www.imdb.com/title/tt0887912/ - 21 minutes ago - Cached - Similar
  4. Latest results for Hurt Locker

    - PauseResumeStopped - More results »
    1. Bourne a Spy
      New York Press - seconds ago
      The big problem Green Zone (named after safe territory in Iraq) represents is that these filmmakers, like the makers of The Hurt Locker, no longer know how ...


    2. Just had a viewing of The Hurt Locker... would not watch again.



    3. RT @Lauren_Bacall: I am just glad Avatar didn't win or I would have had to drop my membership.I voted for Precious but The Hurt Locker w ...



    4. the hurt locker done watching.



    5. Bgs bgt ya dis? RT @mrswahyu: Just watched The Hurt Locker! Finally I know the reason why this movie wins The Oscar than Avatar



    6. @optionsmaster hurt locker was good, you should also see crazy heart.



    7. indieNews: LA Times reporting on Summit's battle to get 'Hurt Locker' back into theaters. Fascinating battle.
      Many theaters refuse to book "Hurt Locker" despite Oscar win ... - latimes.com


    8. Kathryn Bigelow's Film "The Hurt Locker" Got Six Awards | Lovely Sms
      Lovely Sms - 3 minutes ago
      Quite a few women got the Oscar award. Kathryn Bigelow is considered to be the fifth woman that was nominated for the Oscar.


    9. James Cameron's reaction to The Hurt Locker's Oscar wins:
      http://i.imgur.com/gqp7W.jpg




    10. Detractors of The Hurt Locker call for a blanket revocation of poetic licenses. Please turn yours in to the nearest authorities.

  5. 'The Hurt Locker' earns best-picture Academy Award (AP) - The 82nd ...

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Pick of the Day: Inside the real hurt locker

"The Hurt Locker," which won best picture at the Oscars on Sunday, tells the story of an Explosive Ordnance Disposal team working in Iraq. The film's accuracy has been a hot topic of debate among U.S. veterans, as my colleague Chris Davenport reported last month -- though, Chris noted:

despite some complaints about inaccuracies, many veterans of bomb disposal units love the movie, says James O'Neil, executive director of the EOD Memorial Foundation, a nonprofit that has benefited financially from the film.
"While there is some artistic license," O'Neil says, "there's a lot of good representation of the intensity and the courage that's displayed by EOD techs. What it takes to find, identify and then render safe those [bombs] -- that's a story, and it's an incredible story."

It's a story that Foreign Policy has picked up, too, though FP is telling it visually, via a powerful photo essay assembled by editorial researcher Kayvan Farzaneh.

By J. Freedom du Lac  |  March 10, 2010; 7:57 AM ET
http://blog.washingtonpost.com/story-lab/2010/03/pick_of_the_day_inside_the_rea.html

Kathryn Bigelow's Oscar triumph has had an instant effect on her movie's fortunes with rentals more than doubling in a matter of hours. On the other hand,the commander of US troops in Iraq on Tuesday praised Oscar-winning drama "The Hurt Locker," saying that unlike some media coverage it showed the complexities on the field.


The Hurt Locker landed six titles at the world's biggest movie bash this week, including best director and film.


As of Tuesday, March 9, 2010, at least 4,382 members of the U.S. military had died in the Iraq war since it began in March 2003, according to an Associated Press count.


Britain opened an inquiry Tuesday into claims that its soldiers murdered and abused civilians in southern Iraq in 2004, some of the most serious allegations made against British forces over the war and occupation of the country.


Meanwhile, The commander of US forces in Iraq has predicted it would take "a couple of months" for leaders to form a post-election government but downplayed fears of instability.


General Ray Odierno told US public television on Tuesday it was too soon to give exact predictions on Iraq's transition as final results have yet to be announced from Sunday's election.


"If they are close it will probably take a little bit longer; if someone has a bigger lead, it might happen a little bit quicker. But I believe we're talking about a couple of months," Odierno told the "PBS Newshour."

Odierno said he had been in close touch with Iraqi authorities about ensuring security after the country's second election since the 2003 US-led invasion.


"Clearly we understand that this is a transition time and transitions are always a time of risk," he said.


"But we have worked very hard with the government of Iraq ... to try to ensure that security will remain," he said. "I believe we will be able to do that through this critical period."


President Barack Obama earlier paid tribute to the "courage and resilience" of Iraqi voters who posted a 62.4 percent turnout despite periodic violence.


Obama has promised to withdraw all American troops from Iraq by the end of next year.



Now DVD subscription firm Lovefilm has reported rentals for the Iraq war thriller shot up by 117 per cent in 24 hours following its victories.


Other winning titles have proved a hit with armchair movie fans, with The Young Victoria, which landed a best costume Oscar for Sandy Powell, up 37 per cent, and best animation winner Up saw rentals rise by 19 per cent.


A number of big winners are still to be released on DVD and pre-orders for winning titles rose dramatically.


Orders for Sandra Bullock's best actress-winning film The Blind Side shot up by 252 per cent, Jeff Bridges' Crazy Heart, which landed him a best actor Oscar, were up 212 per cent and Precious, which gave Mo'Nique a best supporting actress title, rose by 129 per cent.


Films which rose from obscurity thanks to the Oscars saw the most dramatic rises, with best foreign language film winner El Secreto De Sus Ojos and seeing its pre-orders rise by 3,115 per cent.


Oscar wins proved a bigger pull for film fans than the Baftas, with The Hurt Locker's rentals rising 66 per cent within a day of its best film win at the British ceremony.


Lovefilm editor Helen Cowley said: "The Hurt Locker really is the underdog story of the year. Its David v Goliath award success against the likes of Avatar makes for an incredible story."


First Iraq vote results expected by Thursday: U.N.


alls Iraq vote a "new beginning"
An Iraqi soldier secures workers unloading boxes of parliamentary election ballots at a tally centre in Baghdad Reuters – An Iraqi soldier secures workers unloading boxes of parliamentary election ballots at a tally centre …


Preliminary results of Iraq's parliamentary election, a vote seen as a litmus test of its young democracy, are likely to be released by Thursday, a United Nations official said Wednesday.

Iraqi electoral officials, who had previously suggested the first count might be made public Wednesday, did not immediately confirm the timeline given by the United Nations.

A decisive victory by any political coalition is unlikely in an election Iraqis hope will bring a measure of stability after years of sectarian warfare as U.S. troops prepare to pull out. Negotiations to form a new government could take months.

Ad Melkert, the U.N. special representative to Iraq, told a news conference the vote count was proceeding at a good pace and first results were likely to be announced by Thursday.

Iraq's Independent High Electoral Commission, whose top official was sitting beside Melkert, has said it will publish preliminary results when 30 percent of votes have been counted.

"On the basis of the information that I have received this morning I am confident that it will be possible by tomorrow to have preliminary results announced," Melkert said.

Informal tallies of Sunday's vote for the 325-seat Iraqi parliament showed that Prime Minister Nuri al-Maliki's State of Law list fared well in Baghdad and Shi'ite southern provinces.

A member of his coalition said he expected State of Law to be the biggest bloc in the next parliament but that it would need to form an alliance with one or two other lists.

A secular, cross-sectarian line-up led by former Prime Minister Iyad Allawi appeared to be polling well in Sunni areas of the north and west, according to the informal tallies.

"This is an honest process and that's why it is very important that the announcement of the preliminary results will be accepted by all," Melkert said.

"I think it's fair to say the world has been impressed by the professional way that these elections have taken place."

Turnout was 62 percent, higher than in last year's provincial election, despite a spate of insurgent attacks that killed 39 people, all but one of them in Baghdad, on voting day.

The U.S. military, which stayed in the background while Iraqi security forces protected the election, praised the conduct of the vote and said the violence had been limited.

General Ray Odierno, the U.S. commander in Iraq, said plans were on track to reduce troop levels from 96,000 now to 50,000 by the end of August, ahead of a full withdrawal by end-2011.

(Additional reporting by Aseel Kami and Jim Loney, editing by Alistair Lyon)



INTERVIEW - Russia sees over $10 bln in deals with India

Wed, Mar 10 03:05 PM

Russsia's Deputy Prime Minister Sergei Sobyanin appears at the cockpit window of a Super Jet... Enlarge Photo Russsia's Deputy Prime Minister Sergei Sobyanin appears at the cockpit window of a Super Jet...

Russia plans to sign over $10 billion worth of deals with India during the visit of Prime Minister Vladimir Putin later this week, Putin's deputy, Sergei Sobyanin, told Reuters in an interview.

The deals will range from contracts for the joint design of a fifth-generation fighter jet and production of multi-purpose transport planes to agreements to supply Russian mineral fertilisers and build new nuclear reactors.

"I believe the overall volume of trade and economic agreements will exceed $10 billion," Sobyanin, who chairs the Russian-Indian inter-government commission, said in comments e-mailed to Reuters on Wednesday.

He also said Indian energy firm ONGC had expressed interest in participating in the development of oil and gas fields on the Yamal peninsula in the Russian Arctic.

(Reporting by Gleb Bryanski, editing by Robin Paxton)

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How did 'The Hurt Locker' defy the odds at the Oscars?

March 8, 2010 |  5:07 pm

It's amazing that "The Hurt Locker" won best picture at the Oscars despite having three strikes against it. "The Hurt Locker" didn't feature A-list stars. It wasn't successful at the box office. And maybe, worst of all: it was about the Mideast war, a topic usually cursed at the Academy Awards.  

So how did it pull off this Oscar miracle?

For starters, "The Hurt Locker" had some high-caliber oomph behind it. It was distributed by Summit, a studio with bold leaders who had deep pockets and something to prove. Flush with money from the "Twilight" movies, Summit wanted to be taken seriously as an artistic player in Hollywood.

The Hurt Locker Oscars Academy Awards news

Early on, Summit hired Cynthia Swartz and her Oscar soldiers at 42West to head up its academy campaign. Swartz had been a key player in the past blitzkriegs behind "Chicago" (and other Miramax flicks when she was still a commander in Harvey Weinstein's army), "Crash" and "No Country for Old Men" and other successful award champs.

Swartz likes to take on daredevil challenges. A few years ago, for example, she adopted a gritty, hip-hop film called "Hustle & Flow" just to see if she could ram it past the academy's fuddy-duddy bias. Bingo. She ended up nabbing a best-actor nomination for Terence Howard and reaped a win for best song ("It's Hard Out Here for a Pimp").

The initial groundswell of support for "The Hurt Locker" came from a pure, heroic source: the film critics. It hadn't fared well on the awards front at first. It competed last year at the Indie Spirits, for example, and only reaped nominations for actors Jeremy Renner and Anthony Mackie. Nothing for picture, director or screenplay.

But when "The Hurt Locker" entered this year's derby, things were different. It gathered momentum quickly, launching a bandwagon that was hard to stop. The Indie Spirits' rival award, the Gotham, named it best picture. It swept the film critics' trifecta: Los Angeles, New York and National Society. Those are critics' groups comprised of mostly print-based, cynical, gritty journalists who are renowned for picking quirky stuff like "Mulholland Drive" that doesn't break through into the Oscars. Then "The Hurt Locker" won best picture from the Critics' Choice Awards. That was odd because it's a prize bestowed by members of the Broadcast Film Critics Assn. They're largely part of the junket press just like Golden Globe voters. Both groups tend to be similar in taste to Oscar voters.

The Golden Globes picked "Avatar," but that wasn't too strange: they've been out of sync with Oscar voters four out of the past five years. Then something extraordinary occurred. "The Hurt Locker" won laurels from the directors' and producers' guilds, which usually predict what wins best picture at the Oscars. Think about it: the producers — people in charge of generating profit — endorsed a financially unsuccessful movie. That meant that "The Hurt Locker" had not only crossed over from the film critics to the film industry, but that it landed with nuclear force.

As "The Hurt Locker" headed into the Academy Awards, it was clear that it could beat the odds and actually win. When nominations came out, "The Hurt Locker" and "Avatar" tied for the most: nine. Right behind, with eight, was "Inglourious Basterds."

"The Hurt Locker" positioned itself as little David battling Goliath ("Avatar"), a shrewd move since everybody always roots for the little guy. In this case, though, it wasn't a guy. Its filmmaker was a sexy gal, Kathryn Bigelow, who just so happened to be the ex-wife of Goliath – "Avatar's" James Cameron. What irresistible drama! Even better, if Oscar voters picked sexy Team Bigelow to endorse, they got a bonus. They got to make history by giving the Oscar for best director to a woman for the first time — a breakthrough long overdue.

Looking back, maybe "Avatar" never had a realistic chance of beating "The Hurt Locker." No sci-fi movie has ever won best picture. Only two ever got nominated: "Star Wars" and "E.T." "Basterds" had a realistic chance of sneaking by them both considering it won best ensemble at the SAG Awards, a prize that's tattled twice before on Oscar best-picture upsets in the works: "Crash" and "Shakespeare in Love." But its push came too late. If only Harvey Weinstein had given up on "Nine" and jumped aboard his "Basterds" horse earlier, he might have ridden it to victory. Looking back, I think "Basterds" was the only film that could've stopped the "Hurt Locker" bandwagon.

Summit hasn't revealed how much it spent on its academy campaign, but a source close to the film insists that it was modest. An Oscar campaigner behind a rival film up for best picture (not "Avatar") scoffs at that claim. Some Oscar-watchers believe that 20th Century Fox spent the most of all Oscar campaigns this year on behalf of "Avatar," but that's hard to establish. "Avatar" was released at Oscar time. Its expenditures for an awards blitz were inter-mingled with regular PR, advertising and marketing.

Even if "Avatar" did spend the most, it couldn't stop the "Hurt Locker" juggernaut. Nothing could, not even a few suicide bombs set off by "The Hurt Locker" troop themselves. The movie that started out with three Oscar strikes against it ended up having three more near the end of the derby: accusations that it wasn't accurate, accusations that it was too accurate (an army sergeant claims the movie ripped off his own story) and the embarrassment of its producer being banned from the Oscars ceremony because he broke campaign rules with offensive emails. Together, they added up to a serious plot complication -- another twist that looked like it had been ripped from a Hollywood movie just like the whole setup of an ex-husband and wife squaring off with David vs. Goliath movies in the Oscars coliseum.

In the end, the best-picture Oscar victory of "The Hurt Locker" is more than just a great thing for Summit. It's good for the Oscars because it was championed all through derby season by film critics who believed strongly in its quality and only had the most noble of motives.

But why did all of these awards, including the Oscars, agree on this Mideast war movie after previously pooh-poohing others like "In the Valley of Elah" and "Jarhead"? Probably because "The Hurt Locker" doesn't force viewers to make a political judgment about the war. Instead, it forces viewers to experience first hand the terror and horror of what it's like to live in a sun-baked hell where everything could, literally, blow up in your face at any moment.

Photo: "The Hurt Locker" (Summit)

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The Hurt Locker

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The Hurt Locker
From above a flat and dry desert floor, a person in a green military uniform with heavy padding holds red wires attached to seven pill-shaped bomb canister scattered around him. At the top of the poster are three critics' favorable opinions: "A near-perfect movie," "A full-tilt action picture," and "Ferociously suspenseful." Below the quotes is the title "THE HURT LOCKER" and the tagline, "You don't have to be a hero to do this job. But it helps."
Theatrical release poster
Directed byKathryn Bigelow
Produced byKathryn Bigelow
Mark Boal
Nicolas Chartier
Greg Shapiro
Written byMark Boal
StarringJeremy Renner
Anthony Mackie
Brian Geraghty
Christian Camargo
Evangeline Lilly
Ralph Fiennes
David Morse
Guy Pearce
Music byMarco Beltrami
Buck Sanders
CinematographyBarry Ackroyd
Editing byChris Innis
Bob Murawski
Distributed bySummit Entertainment
Release date(s)September 4, 2008 (2008-09-04)
(Venice Film Festival)
June 26, 2009 (2009-06-26)
United States
Running time131 minutes
CountryUnited States
LanguageEnglish
Budget$11 million[1]
Gross revenue$21,356,139[2]

The Hurt Locker is a 2008 American war film. It follows a United States Army Explosive Ordnance Disposal (EOD) team during the Iraq War.

The film was directed by Kathryn Bigelow. The screenplay was written by Mark Boal, a freelance writer who was embedded as a journalist in 2004 with a US bomb squad in Iraq. It stars Jeremy Renner, Anthony Mackie, and Brian Geraghty as members of a U.S. Army EOD unit in Iraq and follows their tour together as they contend with defusing bombs, the threat of insurgency, and the tension that develops among them.[3][4] The film was shot in Jordan, within miles of the Iraq border.

It was first released theatrically in Italy in 2008, when it premiered at the Venice Film Festival. After being shown at the Toronto International Film Festival in North America, it was picked up for distribution in the United States by Summit Entertainment.[5] It was released in the United States on June 26, 2009, in New York and Los Angeles. Based on the success of its limited run, the independent film received a more widespread theatrical release in the United States on July 24, 2009. Because the 2008 film was not originally released in the U.S. (at least in an Oscar-qualifying run in Los Angeles) until 2009, it was eligible to be judged for that year's awards, the 82nd Academy Awards held in 2010.

The Hurt Locker was one of the most acclaimed films of 2009, earning awards and honors from numerous critics' organizations, festivals and groups. It was nominated for nine Academy Awards and won six, including Best Picture and Best Director for Bigelow, who became the first woman to win the award.[6] The film also swept the 2010 BAFTA Awards, winning best film, director, original screenplay, editing, cinematography and sound.

Contents

[hide]

Plot

The title is slang for being injured in an explosion, as in "they sent him to the hurt locker",[7] or for "a place of ultimate pain."[8] It dates back to the Vietnam War, where it was one of several phrases meaning "in trouble or at a disadvantage; in bad shape."[9]

The Hurt Locker opens with a quotation from War Is a Force That Gives Us Meaning, a best-selling 2002 book by New York Times war correspondent and journalist Chris Hedges: "The rush of battle is a potent and often lethal addiction, for war is a drug."[10][11]

During the early stages of the post-invasion period in Iraq in 2004,[12][13] Sergeant First Class William James, a battle tested veteran, becomes the team leader of a U.S. Army Explosive Ordnance Disposal (EOD) unit, replacing Staff Sergeant Thompson, who was killed by a remote-detonated 155mm improvised explosive device (IED) in Baghdad. He joins Sergeant J.T. Sanborn and Specialist Owen Eldridge, whose jobs are to communicate with their team leader via radio inside his bombsuit, and provide him with rifle cover while he examines IEDs. During their missions of disarming IEDs and engaging insurgents together, James's unorthodox methods lead Sanborn and Eldridge to consider him reckless. Tensions mount between James and the other two team members. During a raid on a warehouse that contains a large amount of explosives, James discovers the mutilated body of a young boy. He has been carved up and planted with an unexploded bomb. James is upset, as he believes the boy to be "Beckham," a young Iraqi selling DVDs whom he had befriended.

In the aftermath of a large car bomb, James leads the EOD team to look for the perpetrators among the alleys of a village. After they separate and try to shoot the insurgents, Eldridge is captured. The other two track down and kill two insurgents who detonated the bomb and who are dragging Eldridge. He was accidentally shot in the leg during the action. He is airlifted to a hospital in Germany to have surgery to repair his shattered leg. Eldridge blames James for his injury, referring to Sanborn's suggestion that the mission, which James had ordered, would have been better suited for an infantry platoon.

The next morning, James is approached by Beckham. The young boy tries to converse with James, who walks by without saying a word. After James fails to remove and disarm a time-bomb strapped to an Iraqi civilian's chest because he ran out of time, the Iraqi dies in the explosion. Sanborn later becomes emotional and confesses to James that he can no longer cope with the pressure of being in EOD. He looks forward to finally leaving Iraq and starting a family.

James returns home to his wife and child, and is seen quietly performing routine tasks of civilian life. One night he speaks to his infant son, telling him that there is only "one thing" that he knows he loves. He is next seen back in Iraq, ready to serve another year as part of an EOD team with Delta Company.

Cast

  • Jeremy Renner as Sergeant First Class William James, the leader of the EOD squad. An Army Ranger, he is the most experienced of the squad, having served in the War in Afghanistan. Although he is a good leader and courageous, SFC James is at times reckless. Unlike his fellow soldiers, he wears outdated M81 Woodland camouflage equipment.
  • Anthony Mackie as Sergeant J. T. Sanborn, one of the members of the EOD squad. A soldier who insists on doing things by the book, Sanborn is frequently critical of SFC James' apparent recklessness. Towards the end of Bravo's rotation Sanborn confesses that he is not ready to die and wants to start a family.
  • Brian Geraghty as Specialist Owen Eldridge, the youngest member of the EOD squad. Although he is outwardly tough, he suffers mental anguish and believes he is responsible for the death of his original squad leader, SSG Thompson, having not fired at the insurgent responsible. Eldridge seeks counsel in LTC Cambridge, the base psychiatrist.
  • Christian Camargo as Lieutenant Colonel John Cambridge. LTC Cambridge is the head psychiatrist at Camp Victory. He helps SPC Eldridge recover from the death of SSG Thompson, although he sometimes seems oblivious to the soldiers' pressures. Originally from New York, Cambridge is a graduate of Yale University.
  • David Morse as Colonel Reed, the commander of the American soldiers at the United Nations building. He is fascinated by the EOD squad and questions SFC James about his job.
  • Evangeline Lilly as Connie James, the wife of SFC James. Despite what he initially says, James loves her but feels more comfortable in a warzone. When he goes home to the United States, James discusses the need for more bomb defusers in Iraq.
  • Christopher Sayegh as "Beckham", a 12-year-old Iraqi boy who sells DVDs and various electronic items outside the base. When James discovers a boy's body planted with a bomb, he believes it is Beckham's.
  • Guy Pearce as Staff Sergeant Matthew Thompson, the original leader of the EOD squad.
  • Ralph Fiennes as the leader of a private military contractor unit the squad encounters.

Production

Writing

The Hurt Locker is based on accounts of Mark Boal, a freelance journalist who was embedded with an American bomb squad in the war in Iraq. Director Kathryn Bigelow was familiar with Boal's work before his experiences, having turned one of his Playboy articles into the short-lived television series The Inside. When Boal was embedded with the squad, he went with the members 10 to 15 times a day to watch their tasks, keeping in touch with Bigelow about his experiences.[14] Boal combined his experiences into a fictional retelling of real events. He said of the film's goal, "The idea is that it's the first movie about the Iraq War that purports to show the experience of the soldiers. We wanted to show the kinds of things that soldiers go through that you can't see on CNN, and I don't mean that in a censorship-conspiracy way. I just mean the news doesn't actually put photographers in with units that are this elite."[15]

Casting

The film's three main stars are Jeremy Renner, Anthony Mackie, and Brian Geraghty. Renner plays Sergeant First Class William James, a composite character with qualities based on individuals that screenwriter Mark Boal knew when embedded with the bomb squad.[14] Mackie plays Sergeant J.T. Sanborn and describes his experience filming in Jordan in the summer, "It was so desperately hot, and we were so easily agitated. But that movie was like doing a play. We really looked out for each other, and it was a great experience. It made me believe in film."[16] Geraghty played Specialist Owen Eldrige. Secondary roles include Christopher Sayegh as Beckham, Christian Camargo as Colonel Cambridge, Guy Pearce as Staff Sergeant Matt Thompson, David Morse as Colonel Reed, and Evangeline Lilly as Connie James. In Jordan, Bigelow found there were several hundred thousand refugees of Iraq. She cast refugees who had theatrical backgrounds, such as Suhail Aldabbach, who plays a forced suicide bomber at the film's end.[14] Other tertiary roles include Nabil Koni, Fesal Sadoun, Imad Dadudi, Hasan Darwish, Wasfi Amour, Nibras Quassem, and Nader Tarawneh.

Filming

Members of the key filmmaking crew include producer Tony Mark, director of photography Barry Ackroyd, film editors Chris Innis and Bob Murawski, production designer Karl Júlíusson, production sound mixer Ray Beckett, and costume designer George Little. The film's explosions and special effects were designed by Richard Stutsman and his team. Filming began in July 2007 in Amman, Jordan.

According to producer Tony Mark, the blood, sweat and heat captured on-camera in the production was mirrored behind the scenes. "It's a tough, tough movie about a tough, tough subject," Mark said in an interview, "There was a palpable tension throughout on the set. It was just like the onscreen story of three guys who fight with each other, but when the time comes to do the work, they come together to get the job done."[17]

Filming began in July 2007 in Jordan and Kuwait.[15] Producer Greg Shapiro spoke about security concerns of filming in Jordan, "It was interesting telling people we were going to make the movie in Jordan because the first question everybody asked was about the security situation here." Often four or more camera crews filmed simultaneously, which resulted in nearly 200 hours of footage.[18][19] Although the filmmakers scouted for locations in Morocco, director Kathryn Bigelow sought greater authenticity and decided to film in Jordan. Some of the locations were less than three miles from the Iraq border.[18]

Producer Tony Mark recalled armorer David Fencl's finishing a 12-hour day and staying up all night to create proper ammunition for a sniper rifle when the supplies did not clear Jordanian customs in time for the scheduled shoot.[17] The film shoot had few of the normal Hollywood perks; nobody on the set got an air-conditioned trailer or a private bathroom.[17] Lead actor Jeremy Renner, who trained with real EOD teams before shooting the film, says that great care was taken to ensure the film's authenticity.[20] According to Renner, shooting the film in the Middle East contributed to this. "There were two-by-fours with nails being dropped from two-story buildings that hit me in the helmet, and they were throwing rocks.... We got shot at a few times while we were filming," Renner said. "When you see it, you're gonna feel like you've been in war."[21]

"You can't fake that amount of heat," Mackie says, adding, "When you are on set and all of the extras are Iraqi refugees, it really informs the movie that you're making. When you start hearing the stories from a true perspective ... of people who were actually there, it gives you a clear viewpoint of where you are as an artist and the story you would like to tell. It was a great experience to be there."[22]

Cinematography

For the film, Bigelow sought to immerse audiences "into something that was raw, immediate and visceral". The director was impressed with cinematographer Barry Ackroyd's work on United 93 and The Wind That Shakes the Barley and invited him to do the camera work for The Hurt Locker. While the film was independently produced and filmed on a low budget, Bigelow used multiple Super 16mm cameras to capture multiple perspectives, saying, "That's how we experience reality, by looking at the microcosm and the macrocosm simultaneously. The eye sees differently than the lens, but with multiple focal lengths and a muscular editorial style, the lens can give you that microcosm/macrocosm perspective, and that contributes to the feeling of total immersion."[23]

Critical reception

Rotten Tomatoes reported that 97% of critics gave the film a positive review, based on a sample of 182, with an average score of 8.4 out of 10,[24] and it was the second highest-rated film in 2009 at the site, behind Pixar's Up with 98%. At Metacritic, which assigns a rating normalized to 100 to reviews from mainstream critics, the film has received an average score of 94 based on 33 reviews. Rotten Tomatoes wrote of the critics' consensus, "A well-acted, intensely shot, action filled war epic, Kathryn Bigelow's The Hurt Locker is thus far the best reviewed of the recent dramatizations of the Iraq War."[24]

Roger Ebert of The Chicago Sun Times rated the film as the best film of the year and as one of the best of the decade,[25] writing, "The Hurt Locker is a great film, an intelligent film, a film shot clearly so that we know exactly who everybody is and where they are and what they're doing and why." He applauded how the suspense was built, calling the film "spellbinding". Ebert considered Renner "a leading contender for Academy Awards", writing, "His performance is not built on complex speeches but on a visceral projection of who this man is and what he feels. He is not a hero in a conventional sense."[26] Richard Corliss of Time magazine also spoke highly of Renner's performance, calling it a highlight of the film. Corliss wrote, "He's ordinary, pudgy-faced, quiet, and at first seems to lack the screen charisma to carry a film. That supposition vanishes in a few minutes, as Renner slowly reveals the strength, confidence and unpredictability of a young Russell Crowe. The merging of actor and character is one of the big things to love about this movie... It's a creepy marvel to watch James in action. He has the cool aplomb, analytical acumen and attention to detail of a great athlete, or a master psychopath, maybe both." Corliss also praised the film's "steely calm" tone, reflective of its main character. Corliss summarized, "The Hurt Locker is a near-perfect movie about men in war, men at work. Through sturdy imagery and violent action, it says that even Hell needs heroes."[27]

A. O. Scott of The New York Times called The Hurt Locker the best American feature film yet made about the war in Iraq: "You may emerge from "The Hurt Locker" shaken, exhilarated and drained, but you will also be thinking... The movie is a viscerally exciting, adrenaline-soaked tour de force of suspense and surprise, full of explosions and hectic scenes of combat, but it blows a hole in the condescending assumption that such effects are just empty spectacle or mindless noise." Scott noticed that the film reserved criticism of the war but wrote of how the director handled the film's limits, "Ms. Bigelow, practicing a kind of hyperbolic realism, distills the psychological essence and moral complications of modern warfare into a series of brilliant, agonizing set pieces." He also applauded the convergence of the characters in the film, "[It] focuses on three men whose contrasting temperaments knit this episodic exploration of peril and bravery into a coherent and satisfying story."[28] Kenneth Turan of the Los Angeles Times wrote that the performances of Renner, Mackie, and Geraghty would raise their profiles considerably and said their characters reveal their "unlooked-for aspects", such as Renner's character being playful with an Iraqi boy. Turan applauded Boal's "lean and compelling" script and reviewed Bigelow's direction, "Bigelow and her team bring an awesome ferocity to re-creating the unhinged mania of bomb removal in an alien, culturally unfathomable atmosphere."[29]

Guy Westwell of Sight & Sound wrote that cinematographer Barry Ackroyd provided "sharp handheld coverage" and that Paul N.J. Ottosson's sound design "uses the barely perceptible ringing of tinnitus to amp up the tension." Westwell praised the production value, reviewing, "The careful mapping of the subtle differences between each bomb, the play with point of view... and the attenuation of key action sequences... lends the film a distinctive quality that can only be attributed to Bigelow's clever, confident direction." The critic noted its different take on the Iraq War, "[I]t confronts the fact that men often take great pleasure in war." He concluded, "This unapologetic celebration of a testosterone-fuelled lust for war may gall. Yet there is something original and distinctive about the film's willingness to admit that for some men (and many moviegoers) war carries an intrinsic dramatic charge."[30] Amy Taubin of Film Comment described The Hurt Locker as "a structuralist war movie" and "a totally immersive, off-the-charts high-anxiety experience from beginning to end". Taubin praised Ackroyd's "brilliant" cinematography with multiple viewpoints and also said of the film's editing, "Bob Murawski and Chris Innis's editing is similarly quick and nervous; the rapid changes in POV as they cut from one camera's coverage to another's makes you feel as if you, like the characters, are under threat from all sides."[31]

Joe Morgenstern of The Wall Street Journal called it, "A first-rate action thriller, a vivid evocation of urban warfare in Iraq, a penetrating study of heroism and a showcase for austere technique, terse writing and a trio of brilliant performances."[32] Toronto Star critic Peter Howell said, "Just when you think the battle of Iraq war dramas has been fought and lost, along comes one that demands to be seen... If you can sit through The Hurt Locker without your heart nearly pounding through your chest, you must be made of granite."[33] Entertainment Weekly's film critic Lisa Schwarzbaum gave the film the rare "A" rating, calling it, "an intense, action-driven war pic, a muscular, efficient standout that simultaneously conveys the feeling of combat from within as well as what it looks like on the ground. This ain't no war videogame."[34]

Derek Elley of Variety found The Hurt Locker to be "gripping" as a thriller but felt that the film was weakened by, "its fuzzy (and hardly original) psychology." Elley wrote that it was unclear to know where the drama lay: "These guys get by on old-fashioned guts and instinct rather than sissy hardware – but it's not a pure men-under-stress drama either." The critic also felt that the script showed, "signs of artificially straining for character depth."[35] Anne Thompson, also writing for Variety, believed The Hurt Locker to be a contender for Best Picture, particularly based on the unique subject matter pursued by a female director and on being an exception to other films about the Iraq War that had performed poorly.[36]

Tara McKelvey from The American Prospect believes that the film is pro-U.S. Army propaganda, although it sets itself up as anti-war when its message in the beginning is "War is a drug". She continues, "you feel empathy for the soldiers when they shoot. And in this way, the full impact of the Iraq war – at least as it was fought in 2004 – becomes clear: American soldiers shot at Iraqi civilians even when, for example, they just happened to be holding a cell phone and standing near an IED". She concludes, "For all the graphic violence, bloody explosions and, literally, human butchery that is shown in the film, The Hurt Locker is one of the most effective recruiting vehicles for the U.S. Army that I have seen."[37]

Response among veterans

While most traditional media reviews of The Hurt Locker were positive, the movie was criticized by some Iraq veterans and embedded reporters for inaccurately portraying wartime conditions.[38] Writing for The Huffington Post, Iraq veteran Kate Hoit said that The Hurt Locker is "Hollywood's version of the Iraq war and of the soldiers who fight it, and their version is inaccurate." She described the film as being more accurate than other recently released war movies, but expressed concerns that numerous errors in the portrayal of military conditions would prevent service members from enjoying the film.[39]

Author Brandon Friedman, also a combat veteran of Iraq and Afghanistan, shared a similar view at VetVoice: "The Hurt Locker is a high-tension, well-made, action movie that will certainly keep most viewers on the edges of their seats. But if you know anything about the Army, or about operations or life in Iraq, you'll be so distracted by the nonsensical sequences and plot twists that it will ruin the movie for you. It certainly did for me." Friedman criticized the accuracy of the film's representation of combat, saying "in real life, EOD techs don't conduct dangerous missions as autonomous three-man teams without communications gear... Another thing you'll rarely hear in combat is an EOD E-7 suggesting to two or three of his guys that they leave the scene of an explosion in an Iraqi city by saying: "C'mon, let's split up. We can cover more ground that way." "[40]

At the blog Army of Dude, infantryman and Iraq veteran Alex Horton noted that "the way the team goes about their missions is completely absurd," though he went on to call the film "the best Iraq movie to date."[41]

Troy Steward, another combat veteran, wrote on the blog Bouhammer that while the film accurately depicted the scale of bomb violence and the relations between Iraqis and troops, "just about everything else wasn't realistic." Steward went on to say: "I was amazed that a movie so bad could get any kind of accolades from anyone."[42]

On the embedded side, former correspondent for The Politico and Military Times Christian Lowe (who embedded with U.S. military units each year from 2002 to 2005) explained at DefenseTech: "Some of the scenes are so disconnected with reality to be almost parody."[43]

On the other hand, Henry Engelhardt, an adjutant with the National Explosive Ordnance Disposal Association and a man with 20 years of experience in bomb defusal, praised the film's atmosphere and depiction of the difficulties of the job, saying, "Of course, no film is realistic in all its details, but the important things were done very well."[44] Screenwriter Mark Boal noted that The Hurt Locker was produced independently, without US Army extras.[45]

Release

Festival screenings

The Hurt Locker had its world premiere at the Venice Film Festival on September 4, 2008, and the film received a 10-minute standing ovation at the end of its screening.[46] At the festival, the film won the SIGNIS award,[47] the Arca Cinemagiovani Award (Arca Young Cinema Award) for "Best Film Venezia 65" (chosen by an international youth jury); the Human Rights Film Network Award; and the "Navicella" – Venezia Cinema Award.[citation needed] The film also screened at the 33rd Annual Toronto International Film Festival on September 8,[46] where it generated "keen interest", though distributors were reluctant to buy it since previous films about the Iraq War performed poorly at the box office.[48] Summit Entertainment purchased the film for distribution in the United States in what was perceived as "a skittish climate for pic sales",[49] reportedly paying $1.2 million for the rights.[50]

In the rest of 2008, The Hurt Locker screened at the 3rd Zurich Film Festival,[51] the 37th Festival du Nouveau Cinéma,[52] the 21st Mar del Plata Film Festival,[53] the 5th Dubai International Film Festival,[54] and the 12th Tallinn Black Nights Film Festival.[55] In 2009, The Hurt Locker screened at the Göteborg International Film Festival,[56] the 10th Film Comment Selects festival,[57] and the South by Southwest Film Festival.[58] It had a centerpiece screening at the 3rd AFI Dallas International Film Festival, where director Kathryn Bigelow received the Dallas Star Award.[59] Other 2009 festivals included the Human Rights Nights International Film Festival,[60] the Seattle International Film Festival,[61] and the Philadelphia Film Festival.[62]

Theatrical run

The Hurt Locker was first publicly released in Italy by Warner Bros. Pictures on October 10, 2008.[46] It was released in the United States on June 26, 2009, with a limited release at four theaters in Los Angeles and New York City.[63] Over its first weekend, it grossed $145,352, averaging $36,338 per theater. The following weekend, beginning July 3, the film grossed $131,202 at nine theaters, averaging $14,578 per theater.[64] It held the highest per-screen-average of any movie playing theatrically in the United States for the first two weeks of its release, gradually moving into the top 20 chart with much wider-released, bigger budget studio films. It held around number 13 or number 14 on box office charts for an additional four weeks.[65] Based on that success, distributor Summit Entertainment went wider to more than 500 screens on July 24, 2009.[66][67][68][69] As of October 3, 2009, the independently produced and financed film has grossed a total of more than $16 million worldwide.[70]

According to the Los Angeles Times, The Hurt Locker has performed better than most recent dramas about Middle East conflict. The independent film was acquired by Summit Entertainment at last year's Toronto International Film Festival for $1.5 million and has since made almost 11 times that amount. The film has already outperformed all other Iraq-war themed films such as In the Valley of Elah (2007), Stop-Loss (2008) and Afghanistan-themed Lions for Lambs (2007).[2][71]

The Hurt Locker opened in the top ten in the United Kingdom in 103 theaters, scoring the fourth highest per screen average of $3,607, ranking between G-Force and G.I. Joe in overall grosses. The film garnered a half a million dollars its opening week in the United Kingdom of August 28 through September 3, 2009,[72] and has grossed over a million dollars in both the UK and France[73] through early October.

Distribution: Independent film print shortage

According to an article in the Springfield, Illinois State Journal-Register, as of August 2009 there was a shortage of film prints of The Hurt Locker, as well as other hit independent films such as Food Inc.[74] Distributors told theater owners that they will have to wait weeks or months past the initial U.S. release date, to get the few available prints that are already in distribution. "Sometimes the distributors goof up," said a film buyer for one theater, "they misjudge how wide they should go."[74] One theory is that the independent films have a hard time competing for screen space during the summer against blockbuster tent-pole movies that hog up as much as half the screens in any given city, flooding the United States market with thousands of prints. Theater owners have also complained about distributors, "bunching too many movies too close together."[74][75] It is also thought that independent film distributors are trying to cut their losses on prints by recycling them. Given the popularity of some of the films that are "hard to come by", this strategy may be leaving box office money on the table.[74][75]

Home video

The Hurt Locker was released on DVD and Blu-ray Disc in North America on January 12, 2010. This disc includes an added audio commentary featuring director Kathryn Bigelow, writer Mark Boal, and other members of the production crew, an image gallery of photos from shooting, and a 15-minute EPK featurette highlighting the filming experience in Jordan and the film's production. The UK Blu-ray has no commentary.

Awards and honors

Starting with its initial screening at the 2008 Venice International Film Festival, The Hurt Locker has earned an impressive list of awards and honors. It has also earned its place on more Top 10 lists than any other film of 2009. It won in six categories at the 82nd Academy Awards and was nominated in nine, including Best Picture, Best Director, Best Actor, Best Original Screenplay, Best Sound Editing, Best Sound Mixing, and Best Film Editing. It lost the award for Best Actor to Crazy Heart, Best Original Score to Up, and Best Cinematography to Avatar.[76] The Hurt Locker also won for three Golden Globe awards.[77] Kathryn Bigelow was awarded the 2009 Directors Guild of America Award for Outstanding Achievement in Feature Film for the film, the first time a female director has ever won.[78] The film won six awards at the BAFTAs held on February 21 2010, including Best Film and Best Director for Bigelow.

The film swept most critics groups awards for best director and best picture including Los Angeles, New York, Chicago, Boston and Las Vegas film critics associations. The Hurt Locker also became only the fourth film to win all three major U.S. critics group prizes (NY, LA and NSFC) joining Goodfellas, Schindler's List and L.A. Confidential.

The Washington DC Area Film Critics award for Best Director was given to Kathryn Bigelow, the first time the honor has gone to a woman. The five awards from the Boston Society of Film Critics was the most given out by that organization to a single film in the group's entire thirty-year history.[79]

According to the film-ranking website They Shoot Pictures, Don't They?, The Hurt Locker is the 13th most acclaimed film of the 21st Century.[80]

In February 2010, the film's producer Nicolas Chartier emailed a group of Academy Award voters in an attempt to sway them to vote for The Hurt Locker instead of "a $500M film" (referring to Avatar) for the Best Picture award. He later issued a public apology saying that it was "out of line and not in the spirit of the celebration of cinema that this acknowledgment is."[81][82] The Academy later banned him from attending the award ceremony.[83]

See also


Notes

  1. ^ "New Orleans Movie News" by Mike Scott, The Times-Picayune, July 24, 2009
  2. ^ a b "The Hurt Locker (2009)". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=hurtlocker.htm. Retrieved March 7, 2010. 
  3. ^ "Bigelow returns for The Hurt Locker". Guardian.co.uk. 2007-03-14. http://film.guardian.co.uk/news/story/0,,2033466,00.html. Retrieved 2009-09-09. 
  4. ^ "The Hurt Locker official website – Story". Summit Entertainment. http://thehurtlocker-movie.com/. Retrieved 2009-09-09. 
  5. ^ "Summit takes 'Hurt Locker' in U.S." Variety, by Sharon Swart, Sept. 10, 2008
  6. ^ Oscar.com - Oscar Night - Winners
  7. ^ "Movie Review: The Hurt Locker". http://www.themajlis.org/2009/08/10/movie-review-the-hurt-locker. Retrieved 2010-02-14. "The name of the movie, according to the official Web site, is G.I. slang for being injured in an explosion, i.e. "put in the hurt locker"" 
  8. ^ "THE HURT LOCKER". http://www.screenjunkies.com/movie/hurt-locker/reviews/. Retrieved 2010-02-14. "The Hurt Locker, meaning a place of ultimate pain" 
  9. ^ Ben Zimmer, "At the Movies: Plumbing the Depths of 'The Hurt Locker'", Visual Thesaurus, 5 Mar 2010, accessed 8 Mar 2010
  10. ^ Alistair Harkness, "Film Review: The Hurt Locker", The Scotsman, August 28, 2009
  11. ^ Hedges, Chris "War is a Force that Gives us Meaning", p. 3 of introduction, ISBN 9781400034635, New YOrk: Random House Inc., 2003 (reprint),
  12. ^ Edelstein, David (2009-06-26). "'Hurt Locker': American Bomb Squad In Baghdad". NPR. http://www.npr.org/templates/story/story.php?storyId=105964997. Retrieved 2009-11-02. 
  13. ^ McCarthy, Erin (2009-07-09). "Hurt Locker: Iraqi Explosive Ordnance Disposal Hits the Big Screen". Popular Mechanics. Hearst Communications. http://www.popularmechanics.com/technology/military_law/4324279.html. Retrieved 2009-11-02. 
  14. ^ a b c Keogh, Tom (July 8, 2009). "'Hurt Locker' goes for 'you-are-there' effect in war story". The Seattle Times. 
  15. ^ a b Kit, Borys (July 17, 2007). "'Locker' lands 3 in Iraq story". The Hollywood Reporter. 
  16. ^ Stewart, Sara (August 24, 2009). "Mackie's back in town". New York Post. 
  17. ^ a b c "Hurt Locker Producer Lauds Film Crew and New Mexico Industry", The New Mexican, by Robert Nott, July 28, 2009
  18. ^ a b Olsen, Mark (September 8, 2008). "'Hurt Locker' a soldier's-eye view of the Iraq war". Los Angeles Times. http://articles.latimes.com/2008/sep/08/entertainment/et-hurt8. Retrieved August 16, 2009. 
  19. ^ Jeffrey Ressner, "Kinetic", DGA Quarterly, December 2008
  20. ^ Moving Pictures Magazine: The Hurt Locker Interviews, Jeremy Renner, Interview by Elliot V. Kotek[dead link]
  21. ^ WENN news 20 July 2008 "Renner Caught Up In Film 'War'"
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  23. ^ Thomson 2009, p. 45
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  31. ^ Taubin, Amy (2009). "Hard Wired". Film Comment 45 (3): 30–35. 
  32. ^ "Locker: Shock, Awe, Brilliance", The Wall Street Journal film review, by Joe Morgenstern, June 29, 2009
  33. ^ The Star.com "The Hurt Locker" by Peter Howell, Movie Critic, Aug 31, 2008
  34. ^ Entertainment Weekly "The Hurt Locker Movie Review" by Lisa Schwarzbaum, June 16, 2009
  35. ^ Elley, Derek (September 4, 2008). "The Hurt Locker". Variety. http://www.variety.com/review/VE1117938188.html?categoryid=3212&cs=1. Retrieved August 28, 2009. 
  36. ^ Thompson, Anne (June 28, 2009). "Hurt Locker, Other Award Pics Directed by Women". Variety. http://weblogs.variety.com/thompsononhollywood/2009/06/hurt-locker-other-award-pics-directed-by-women.html. Retrieved August 29, 2009. 
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  38. ^ Paul Rieckhoff (2010-02-24). "When Cinéma Vérité Isn't". Newsweek. http://www.newsweek.com/id/234064. Retrieved 2010-02-24. 
  39. ^ The Huffington Post: The Hurt Locker Doesn't Get this Vet's Vote. Retrieved February 14, 2010.
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  43. ^ DefenseTech: Hurt Locker is a Blast Without a Spark. Retrieved February 14, 2010.
  44. ^ Experts on Oscar contenders' accuracy. Retrieved February 25, 2010.
  45. ^ Open the hurt locker and learn how
    rough men come hunting for souls - Roger Ebert's Journal
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References

External links

Awards and achievements
Preceded by
Slumdog Millionaire
Academy Award for Best Picture
2009
Most recent
BAFTA Award for Best Film
2010

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